Stewart, Michael and Butt, Richard (2011) We had it coming: hypothetical docudrama as contested form and multiple fantasy. Critical Studies in Television, 6 (1). pp. 73-89. ISSN 1749-6020
|PDF - Repository staff only - Requires a PDF viewer such as GSview, Xpdf or Adobe Acrobat Reader|
Official URL: http://is.gd/gheqVX
This essay examines four hypothetical docudramas - Smallpox 2002: Silent Weapon (2002), The Day Britain Stopped (2003), The Man Who Broke Britain (2004) and Death of a President (2006) - broadcast in the UK between 2002 and 2006. The article assesses the programmes' critical reception, and situates it with reference to Peter Watkins' influential docudrama, The War Game (1965). It is argued that while ambiguity is a feature of the docudrama form, uncertainty is nonetheless heightened in critical responses, and that this results from what is new about the four programmes. The essay analyses the docudramas with the help of appropriate theoretical literature. It argues that the docudramas are an emergent type of event-status television that is memorial, predictive and reworks televisual time.
|Deposited On:||20 Jun 2011 15:38|
|Last Modified:||18 Apr 2012 12:58|
Repository Staff Only: item control page