| dc.description.abstract | The purpose of this study is to investigate what garment construction methods might
have been used to create the outfit worn by Queen Elizabeth I in the iconic Ditchley
Portrait by Marcus Gheeraerts the Younger c.1592. Research is presented on each
layer of clothing worn by women of the elite ranks during this time period in order to
gain a clearer understanding of how the exaggerated silhouette in this portrait was
created. This includes examining each garment’s purpose, what fabrics were used
and how they were made. Portraits and extant garments from this era have served
as visual aids whilst literature, particularly from clothing historian Janet Arnold’s
extensive catalogue has proved invaluable to this investigation.
The written element of this dissertation will focus mainly on the four garments which
will be constructed in the practical element, these garments include a pair of bodies,
a wheel farthingale, a petticoat and a gown. Since the practical element is a
costume and not a fashion reproduction, it will demonstrate the use of both modern
and historical construction techniques. Research on other articles of clothing which
would have been worn is also included although in slightly lesser detail, this includes
a smock, bum roll and ruff. | en |
