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dc.contributorSchrag, Anthony
dc.contributor.authorSchrag, Anthony
dc.contributor.editorKurgan, Terry
dc.contributor.editorMurinik, Tracy
dc.date.accessioned2018-06-29T21:27:12Z
dc.date.available2018-06-29T21:27:12Z
dc.date.issued2015-02-11
dc.identifierER4678
dc.identifier.citationSchrag, A. (2015) The Imposition of Help, Wide Angle, , , pp. 144-151,
dc.identifier.isbn9.78E+12
dc.identifier.urihttp://fourthwallbooks.com/wp-content/uploads/2015/08/Wide-Angle_Final.pdf
dc.identifier.urihttps://eresearch.qmu.ac.uk/handle/20.500.12289/4678
dc.description.abstractExploring to what extent 'ameliorative' artworks are possible, from the perspective of a practitioner on a research-based residency in South Africa. It focuses specifically on one particular artwork - a performance in Johannesburg - and the affective responses from this performance.
dc.format.extent144-151
dc.publisherFourthwall Books
dc.relation.ispartofWide Angle
dc.relation.ispartofWide Angle
dc.titleThe Imposition of Help
dc.typebook_section
dcterms.accessRightspublic
dc.description.facultydiv_MCaPA
dc.description.ispublishedpub
dc.description.eprintid4678
rioxxterms.typebook_section
refterms.dateFCA2017-02-27
refterms.dateFCD2017-02-23
qmu.authorSchrag, Anthony
qmu.centreCentre for Communication, Cultural and Media Studies
dc.description.statuspub


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