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dc.contributorFinbow, Alice
dc.contributorSchrag, Anthony
dc.contributor.authorSchrag, Anthony
dc.contributor.authorFinbow, Alice
dc.date.accessioned2018-06-29T21:26:05Z
dc.date.available2018-06-29T21:26:05Z
dc.date.issued2017-07-31
dc.identifierER5143
dc.identifier.citationSchrag, A. & Finbow, A. (2017) Trying Not To Break Things [Images].
dc.identifier.urihttp://www.lydiaosteoporosis.com/articles/creative-movement-handling-and-mobility-workshop
dc.identifier.urihttps://eresearch.qmu.ac.uk/handle/20.500.12289/5143
dc.descriptionAnthony Schrag - ORCID: 0000-0001-8660-7572 https://orcid.org/0000-0001-8660-7572
dc.descriptionRelated eResearch output available at: https://eresearch.qmu.ac.uk/handle/20.500.12289/10487
dc.description.abstractThese images try to encompass the dramatic impact that small actions can have on someone with osteoporosis, illustrating pain, frustration and the limitations of the body. They are not meant as a representation of real-life situations, but are instead an exaggerated response to an Osteoporosis Workshop that artists Finbow and Schrag ran for Front-line Nursing staff, Health Care Assistants and Health Care Academics The aim of the workshop was to bring new ideas and ways of thinking about working with patients who have or may have Osteoporosis. Part of this process involved the participants creating tissue paper exoskeletons in order to visualise the breaking/snapping of bone, but also to the emotions related to tearing/breaking, as well as the sense of fragility of the body. Finbow and Schrag were particularly drawn to the aesthetics of the broken exoskeletons. Drawing on their collaborative practice of Performance-For-Camera, they developed a series of images of Schrag seeming to fall/collapse/break. These images are highly dramatic and exaggerated: they bring a sense of bemusement, playfulness, drama, empathy and comedy to the viewer, drawing them in to the images and making them ask questions. The faint- or collapsed body has been used throughout Art History. Most often, it is women depicted in these broken- states: men are rarely shown in this manner, and when they are, it is often suggested that their condition is much more serious. Women are four times more likely than men to have Osteoporosis, but all of us are affected by it. In using Schrag as a male figure in the work, it reminds us of our inter-connections to this disease. Most often than not, within 18th Century paintings in which someone has collapsed/fainted, they are depicted in domestic environments. Similarly, many of the falls/breaks that occur to people with Osteoporosis happen in their homes, or doing simple tasks such as putting on shoes or taking off a coat. The images Finbow and Schrag have developed similarly occur in a domestic sphere and aim to give an empathetic reminder of the difficulty of the condition and the complexities of its occurrence.
dc.publisherLOP - Lydia Osteoporosis Project
dc.titleTrying Not To Break Things [Images]
dc.typeimage
dcterms.accessRightspublic
dc.date.updated2020-01-31 - Descriptor field added with url link to related Research Practice Case Study record in eResearch (IL); 2020-01-14 - Title and citation updated to include format details (IL)
dc.description.facultydiv_MCaPA
dc.contributor.sponsorLydia Osteoporosis Project
dc.contributor.sponsorCentre for Applied Social Science
dc.description.ispublishedpub
dc.description.eprintid5143
rioxxterms.typeimage
qmu.authorSchrag, Anthony
qmu.centreCentre for Communication, Cultural and Media Studies
dc.description.statuspub


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