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dc.date.accessioned2018-07-27T16:08:28Z
dc.date.available2018-07-27T16:08:28Z
dc.date.issued2015
dc.identifierET1913
dc.identifier.citation(2015) Referendum Culture: An exploration of the relationship between politics and theatre in Scotland with specific focus on the impact of the 2014 Independence Referendum, no. 53.
dc.identifier.urihttps://eresearch.qmu.ac.uk/handle/20.500.12289/7938
dc.description.abstractThis dissertation examines the relationship between politics and theatre in Scotland, with a specific focus on how the Scottish Independence Referendum (2014) impacted upon this. Theatre has always been viewed as somewhat political - relevant, critical and analytical, but the volume of cultural-political activity increased significantly during the referendum campaign, moreso than during regular electoral processes. To explore the reasons for this phenomenon, and the resulting impact, this research revolves around the opinions of eight theatre industry workers in Scotland. This dissertation is a collection, analysis and presentation of the data gathered, meaning the final thesis is grounded in its data, and political bias of the researcher is diminished. The research concludes that the referendum extended beyond political control and was shaped by Scotland's cultural outputs, and subsequently will shape Scotland's future cultural identity.
dc.format.extent53
dc.publisherQueen Margaret University
dc.titleReferendum Culture: An exploration of the relationship between politics and theatre in Scotland with specific focus on the impact of the 2014 Independence Referendum
dc.typeThesis
dcterms.accessRightsrestricted
dc.description.facultyba_dap
dc.description.ispublishedunpub
dc.description.eprintid1913_etheses
rioxxterms.typeThesis
dc.description.statusunpub


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