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dc.date.accessioned2018-07-27T16:08:32Z
dc.date.available2018-07-27T16:08:32Z
dc.date.issued2016
dc.identifierET2235
dc.identifier.citation(2016) In developing of a piece of verbatim theatre involving people engaged in a current debate is the role of the writer limited or liberated?, no. 28.
dc.identifier.urihttps://eresearch.qmu.ac.uk/handle/20.500.12289/7956
dc.description.abstractThis study investigates the role of a writer when creating a piece of verbatim theatre, primarily investigating if the creative process of a conventional writer is limited or liberated, while creating a play using the verbatim techniques. This was investigated through reflection and analysis of process, while taking into account the workings of other practitioners such as Alecky Blythe, Robin Soans, Max Clifford-Stark and David Hare, as well as the writings on political theatre from Erwin Piscator. Interviews were used to create a narrative relating to the fracking debate in Scotland. The work is accompanied by three completed scenes. The study concludes that the role of a writer is increased while creating a play using verbatim techniques and the creative process is liberated.
dc.format.extent28
dc.publisherQueen Margaret University
dc.titleIn developing of a piece of verbatim theatre involving people engaged in a current debate is the role of the writer limited or liberated?
dc.typeThesis
dcterms.accessRightsrestricted
dc.description.facultyba_dap
dc.description.ispublishedunpub
dc.description.eprintid2235_etheses
rioxxterms.typeThesis
dc.description.statusunpub


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