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    Selma Baccar’s Fatma 75: At the Crossroads between Third Cinema and New Arab Cinema

    Date
    2010-03
    Author
    Van de Peer, Stefanie
    Metadata
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    Citation
    Van de Peer, S. (2010) Selma Baccar's Fatma 75: at the crossroads between Third Cinema and New Arab Cinema. French Forum, 35 (2/3), pp. 17-35.
    Abstract
    [...] Cinema is, in our opinion, the cinema that recognizes in that struggle the most gigantic cultural, scientific, and artistic manifestation of our time, the great possibility of constructing a liberated personality with each people as the starting point - in a word, the decolonization of culture.1 Their approach to cinema was highly politicized and fundamentally Marxist. According to Guy Hennebelle, the search for new forms is founded on a series of refusals [. . .] of the former direction of Egyptian cinema, a refusal of old methods, a refusal of compromises.
    URI
    https://eresearch.qmu.ac.uk/handle/20.500.12289/9781
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    • Media, Communication and Production

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