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dc.contributor.authorVan de Peer, Stefanieen
dc.contributor.editorBisschoff, Lizelleen
dc.contributor.editorMurphy, Daviden
dc.date.accessioned2019-06-21T12:37:55Z
dc.date.available2019-06-21T12:37:55Z
dc.date.issued2014-09-30
dc.identifier.citationVan de Peer, S. (2014) Forgotten women, lost histories: Selma Baccar’s Fatma 75 (1978) and Assia Djebar’s La Nouba des femmes du Mont Chenoua (1978). In: Bisschoff, L. & Murphy, D. (eds.) Africa's lost classics: new histories of African cinema. London: Routledge, pp. 62-70.en
dc.identifier.isbn9781907975516en
dc.identifier.urihttps://eresearch.qmu.ac.uk/handle/20.500.12289/9794
dc.descriptionStefanie Van de Peer - ORCID: 0000-0003-3152-2912 https://orcid.org/0000-0003-3152-2912en
dc.descriptionItem not available in this repository.
dc.description.abstractIn 1978, two pioneering women's films from North Africa were released: Selma Baccar's Fatma 75 and Assia Djebar's La Nouba have a great deal in common thematically and formally, but differ in their approach to themes and form. In Tunisia, the 1970s was the decade of the amateur cine-clubs, and in Baccar's club, Hammam-Lif, four women regularly assisted one another on an artistic and idealistic level. La Nouba explores a new lyrical cinematic form, firmly rooted in Maghreb music and history. It is an investigation of women's experiences through their own voices and gazes. The film plays with flashbacks, interruptions of time, and a psychoanalytical approach to the memory and trauma of war. After independence, the first African films often served a commemorative purpose for the new nation: colonial and postcolonial memory needed to be addressed and analysed for the sake of a coherent national identity.en
dc.description.urihttps://www.routledge.com/Africas-Lost-Classics-New-Histories-of-African-Cinema/Bisschoff/p/book/9781907975516en
dc.format.extent62-70en
dc.language.isoen_USen
dc.publisherRoutledgeen
dc.relation.ispartofAfrica's lost classics: new histories of African cinemaen
dc.titleForgotten women, lost histories: Selma Baccar’s Fatma 75 (1978) and Assia Djebar’s La Nouba des femmes du Mont Chenoua (1978)en
dc.typeBook chapteren
dcterms.accessRightsnone
dc.description.ispublishedpub
rioxxterms.typeBook chapteren
rioxxterms.publicationdate2014-09-30
refterms.dateFCD2019-06-14
refterms.depositExceptionNAen
refterms.accessExceptionNAen
refterms.technicalExceptionNAen
refterms.panelUnspecifieden
qmu.authorVan de Peer, Stefanieen
dc.description.statuspub
refterms.versionNAen
refterms.dateDeposit2019-06-14


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