Browsing by Person "Beattie, Bryan"
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Item As Others See Us: What Makes Scotland’s Cultural Sector Distinctive? [Report](British Council Scotland, 2022-07-06) Blanche, Rachel; Beattie, BryanIn a deep dive into global perceptions, this report presents data on what makes Scotland’s arts and culture sector distinctive on the international stage. The report reveals that Scotland’s cultural policies, arts for children and young people, and the disability arts sector are among key cultural assets as perceived by stakeholders.Item National Evaluation of the Culture Collective programme Part one: ‘Unprecedented and revitalising’ - Emerging Impacts and Ways of Working: Reflections from the first year of the Culture Collective, Reporting from Queen Margaret University March 2023(Creative Scotland, 2023-03) Blanche, Rachel; Stevenson, David; Schrag, Anthony; McGrath, Alice; Beattie, Bryan; McKinnon, CaitlinThe Culture Collective is a network of 26 participatory arts projects, shaped by local communities alongside artists and creative organisations, and funded by Scottish Government emergency COVID-19 funds through Creative Scotland. This report captures a snapshot of the programme a year into their work.Item National Evaluation of the Culture Collective programme: PART THREE. ‘PROCESS, NOT OUTCOMES’ A final summary and reflection of the Culture Collective programme. Reporting from Queen Margaret University, October 2023(Creative Scotland, 2023) Blanche, Rachel; McGrath, Alice; Schrag, Anthony; Beattie, Bryan; Stevenson, DavidItem National Evaluation of the Culture Collective Programme: Part Two. ‘ALMOST TOO GOOD TO BE TRUE’ Case Studies from the Culture Collective Reporting from Queen Margaret University, October 2023(Creative Scotland, 2023) Blanche, Rachel; McGrath, Alice; Schrag, Anthony; Stevenson, David; Beattie, BryanItem To See Ourselves: Cultural Assets and Attributes of Scotland [Report](British Council Scotland, 2022-07-06) Blanche, Rachel; Beattie, BryanReflecting on the question ‘What are Scotland’s cultural assets?’, the authors gathered views from across the country – using discussion groups, questionnaires and interviews, and built a rich picture of both the opportunities and the challenges experienced by the sector. The authors observe ideas about how the fabric of Scotland is changing, notions of diversity and egalitarianism, and Scotland’s geography and unique sense of place.