Browsing by Person "Docherty-Hughes, John R."

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Caring spaces: Individual and social wellbeing in museum community engagement experiences
(Taylor & Francis, 2022-03-09) Wallen, Linnea; Docherty-Hughes, John R.
This paper explores the narratives of participants in museum community engagement projects in Scotland. Emphasis is placed on how taking part in museum community engagement projects can have a positive impact on the participants’ wellbeing. This qualitative study employed a dialogical research strategy, which involved careful and mindful choreography of the context and space within which interactions between researcher and participants emerged. Semi-structured walking interviews with five participants were conducted in the summer of 2019 at two museums in Glasgow: Kelvingrove Art Gallery and Museum and The Lighthouse. All participants had taken part in at least one museum community engagement project in Glasgow. Participants’ narratives reveal the positive impacts that “caring spaces” engendered through museum community engagement work have on overall feelings of wellbeing, achieved through deep processes of critical reflection, which resulted in enhanced self-esteem and confidence, and a heightened awareness of participants’ situated ontology in the context of broader issues of social inequality and identities. Museum community engagement projects, when practiced and experienced as “spaces of care,” have a critical role in enhancing individual and social wellbeing amongst participants themselves, particularly in terms of identifying long-term educational and self-worth legacies.
Lifestyling entrepreneurs' sociological expressionism
(2018-02-20) Sweeney, Majella; Docherty-Hughes, John R.; Lynch, Paul
This study explores the tourism host-home relationship investigated through documentary analysis of photographs choreographed through mutual negotiation between hosts and researcher (collaborative auto-driving) and participants' spoken narratives (photo-elicitation interviews); we identify the significance for tourism product construction. Major findings concern the sociological expressionism of the tourism lifestyle entrepreneur who creates a certain personal brand identity or 'lifestyling' through their commercial home presentation; 'private', 'inclusive' and 'temporal' classification categories of hosts' favourite spaces in the home are identified, based upon the individual spatial management strategies employed. Depictions of favourite spaces emphasised emotional and sensorial dimensions rather than material things present, and were described as spaces of contentment and tranquillity essential for energising hosts in the ongoing production of the commercial home.
Uncertainty as Affective State and Critical Engagement Strategy in Museum and Heritage Site Settings
(University of California Press, 2023-03-16) Wallen, Linnea; Docherty-Hughes, John R.
Some pasts have long been uncertain—among those, prehistoric lives in areas where limited archaeological evidence has been unearthed. The Scottish Crannog Centre holds a collection of Iron Age artifacts that have been excavated from the bottom of Loch Tay, jigsaw pieces that are used to tell the story of the everyday lives of crannog dwellers two and a half thousand years ago. The visitor experience at the museum is built on direct interaction with the museum team as the visitors are guided through the site, presenting ample opportunities for critical questions to be raised and discussed about how the past can be understood in the present and how it can inform the future. Facilitating such conversations—and using Iron Age artifacts as points of connection and as conversational prompts—involves a careful balance between fact, interpretation, and imagination; what we know for certain, what is likely, and what we do not, and cannot, know. This paper focuses on how Scottish Crannog Centre museum practitioners employ uncertainty as a feeling, a process, and an engagement strategy in generating critical reflections and conversations among visitors. Drawing on data generated through twenty-five interviews with museum staff, apprentices, and volunteers, as well as ethnographic observations, we explore how the team manages uncertainty, how it is positioned and functions in interactions with visitors, and how uncertainty facilitates a sense of connection to the distant past. In so doing, we argue that uncertainty can be more clearly conceptualized as an affective state and a critical strategy when exploring how prehistoric and present-day life are connected in museum contexts.