Empty Faces and Frightening Silence: Children as the Uncanny in The White Ribbon
| dc.contributor.author | Mosch, Regina | en |
| dc.date.accessioned | 2025-02-25T08:09:59Z | |
| dc.date.available | 2025-02-25T08:09:59Z | |
| dc.date.issued | 2017-03-01 | |
| dc.description | Item is not available in this repository. | |
| dc.description.ispublished | pub | |
| dc.description.number | 1 | en |
| dc.description.status | pub | |
| dc.description.uri | https://doi.org/10.1386/fm.8.1.64_1 | en |
| dc.description.volume | 8 | en |
| dc.format.extent | 64 - 67 | en |
| dc.identifier.citation | Mosch, R. (2017) ‘Empty faces and frightening silence: children as the uncanny in the white ribbon’, Film Matters, 8(1), pp. 64–67. Available at: https://doi.org/10.1386/fm.8.1.64_1. | en |
| dc.identifier.issn | 2042-1869 | en |
| dc.identifier.uri | https://eresearch.qmu.ac.uk/handle/20.500.12289/14170 | |
| dc.identifier.uri | https://doi.org/10.1386/fm.8.1.64_1 | |
| dc.language.iso | en | en |
| dc.publisher | Intellect | en |
| dc.relation.ispartof | Film Matters | en |
| dc.subject | Children and War Films | en |
| dc.subject | German Cinema | en |
| dc.subject | Michael Haneke | en |
| dc.subject | Sigmund Freud | en |
| dc.subject | the Uncanny | en |
| dc.subject | World War I | en |
| dc.title | Empty Faces and Frightening Silence: Children as the Uncanny in The White Ribbon | en |
| dc.type | Article | en |
| dcterms.accessRights | none | |
| qmu.centre | Centre for Culture in Society | en |
| refterms.accessException | NA | en |
| refterms.depositException | NA | en |
| refterms.panel | Unspecified | en |
| refterms.technicalException | NA | en |
| refterms.version | NA | en |
| rioxxterms.type | Journal Article/Review | en |