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Occupational Therapy and Arts Therapies

Permanent URI for this collectionhttps://eresearch.qmu.ac.uk/handle/20.500.12289/25

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    Creativity in retirement: Psychosocial experiences of recently retired people participating in a creative arts project
    (SAGE, 2020-07-22) Burns, Jane; Oliver, Sue; Karkou, Vicky
    Aims: A growing body of research literature features the provision of arts experiences for the older person but less attention has been given to those who are in the early years of retirement. This qualitative study aims to contribute to the existing field through exploring the contribution that creativity, in the form of active participation in the arts, can make upon the older person’s transition to retirement. Methods: A total of 15 recently retired people in a Scottish town were invited to participate in a qualitative project which explored, using the creative arts, the participants’ psychological and social experiences during this period of transition. The emphasis was on participants’ active, rather than passive, involvement in different art modalities. An action research methodology was adopted, involving a circular flexible design. Qualitative information was generated through focus groups, participant observations and group discussions with participants attending arts workshops. Participants were also invited to record their thoughts and observations anonymously in written form. Data were analysed using thematic analysis. Two co-researchers, who were recently retired people from outside the community, took part as participant observers. Results: Key findings indicated that the need to feel challenged and stimulated was paramount for feelings of wellbeing. The feeling of belonging to a community was considered important and could be derived from creative arts activities. Psychological and social benefits of arts participation were derived from active participation, primarily in creating original work. Conclusion: Participants had disparate experience of arts but were united in their search for creative fulfilment. Implications for appropriate provision were considered.
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    Involving Older People Collaborative Research Project - The older persons' experiences of creativity in relation to wellbeing: a collaborative research project
    (Quenn Margaret University, 2008-09) Burns, Jane; Oliver, Sue; Karkou, Vicky
    Executive Summary - Although there is evidence that creativity might be linked with older persons' wellbeing, there are few published studies that systematically explore the experiences of people who have recently retired. The few available studies stress the value of engagement of older persons within the first 5 years after retirement (Withnall and Thompson 2003) and their preference for active participation in creative projects dealing with issues that affect their lives (Bennets et al 2005). Some positive outcomes from engaging with the arts include: expression of feelings and thoughts, sensory stimulation and improvement of self-esteem (McMurray 1989). - This collaborative study aimed to explore the experiences of older persons who had recently retired in relation to engagement in the creative arts and identifying any links between participation in the arts and wellbeing. In order to address this aim an action research methodology was adopted that involved a circular flexible design. A research team based at Queen Margaret University (QMU) and two co-researchers, older persons based in the community, led the study. Qualitative information was generated from 15 co-participants (older persons recently retired based in East Lothian and the wider community) through interviews, participant observations and discussions/reflections. Co-participants were also invited to participate in and reflect upon creative arts workshops that were particularly designed for this project. Collected information was analysed using thematic analysis. - Key findings from this study were that the feeling of belonging to a community was important. Most co-participants liked a wide choice of arts activities and were often introduced to new ideas by their friends. They sought sustained, in-depth art experiences where they felt challenged and stimulated, rather than short, superficial courses; some like to strive towards a finished product and were critical about their own achievements, while for others, taking part was more important. The stimulation of new forms of creativity was perceived to be beneficial to mental and physical wellbeing, but the activities had to be fun as well.